
This space features writings and images on creativity
Content:
Reviews of public events
Updates on my art projects
Tales of adventures
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A journal of creative adventures
From my time in Florence I have fond memories of the Mercato Centrale and the true living history treasures of Italy.
Strolling with new friends along the river Arno and Florence's honeycomb streets day and night was a simple pleasure.
The most truly enjoyable day was spent touring the Tuscan country side with Luisa, Raffaella, Alessandro and Luigi.
As with all my travels I enjoyed the opportunity to spend time to hear stories, share confidences and relish the delights of vibrant personalities.
Our morning in San Gimignano and a shared lunch feast at Bar Dell'orso at Monteriggioni leaves me with edible and social heartfelt appreciation.
My weekend in Florence was wonderfully fulfilling and has enriched my world view.
While in Rome I was fortunate to connect with a number of women through my network. Adriana (Mirella's sister and an educator), Pietra (a sustainable foodaphile from the US) and Tatjana (an Eastern European advocate who lives in the very interesting Garbatella district).
This metaphoric domain is free of constricting labels and boundaries, yet allows me to inhabit my need for a spiritual artistic union.
Through a series of immerse spaces the SFMOMA show encourages the audience to undertake a physical and emotional journey. Without guide or road map, installations unfold and seduce. Whether viewed in peace, free of the distracting crowds or experienced with a tribe, Eliasson fosters the individual experience.
This show at once has quelled a hunger within me, yet reinforced a longing. My frequent revisits are testimony to Eliasson’s ability to allow me to explore his work through a deeply personal lens.
As the iris adjusts: scents are realized, dimensions are accepted and fluid forms are navigated. One is engulfed viscerally by the divergent constructed environments. With each visit I discover new aspects of seeing, feeling and thinking, my time within this creative domain has become a celebration of art within a powerful context. Whether it is the environment, passion, inquiry or conundrum. Eliasson’s works have irrevocably realigned me.
Historically textiles have been the domain of the elite, lavish weavings serving as cultural currency and evidence of social standing. Yet the majority of consumer based textiles and household adornments are often produced in arcane conditions. Indigenous craftspeople increasingly face challenges to their well being through oppression and hardship. In this environment female labor oftentimes toiling in servitude is testimony to the disenfranchisement of women’s creativity and social standing.
It is rare for a textiles exhibition to resonate beyond the visual and tactile response. Yet this collection of textiles had an underlying strength in the fusion of three district elements: the overwhelming stories of oppression, genocide and community efforts to be liberated.
For many in war ravaged communities the scars resulting from atrocities are unfathomable. The